Top Good Essay Topics on Ancient Greek Religion Choices

Top Good Essay Topics on Ancient Greek Religion Choices What the In-Crowd Won't Tell You About Good Essay Topics on Ancient Greek Religion The truth is it has such a grip on the world our lives would be quite different without it. Thus, Greek myths give us a ground to trust in things we aren't very likely to ever have the opportunity to experience. Every character in myths has their own function to play. Rate the play of Antigone regarding the view on gender roles. Don't forget, if you're writing an argument about whether they really existed, you will want to present evidence to back up your argument but will also will need to deal with the counterargument. Just concentrate on the facets of it you're able to prove with facts. Assuming that the kid would die however, was an enormous mistake. An individual who follows their good character and reason rather than attempting to prevent consequences is a virtuous individual. Lies You've Been Told About Good Essay Topics on Anci ent Greek Religion One of the significant men and women in ancient Greece was the priest. For example, the gods who should be emulated by the Greeks have the inclination to participate in bribery, an action that's evil. Compare and contrast Ancient Greece with a minumum of one other ancient civilization you know about. The first Greek civilization thrived around 4,000 decades ago. Philosopher Kings wouldn't be permitted to possess material objects as to steer clear of corruption. Festivals were an essential part of the Greek practices of worship and often included arguably the most significant portion of the worship procedure, the sacrifice. Pottery The Greeks are known to have made a lot of the vessels utilised in daily pursuits. From 1 side, Greek students will need to learn about their cultural heritage. It is essential for the writer to figure out a great branch of study within philosophy. Naturally, we are not able to possibly give you a comprehensive collection of subjects, seeing as there are too many historical events to pick from. You should have your reasons, and our primary concern is that you find yourself getting a great grade. Honoring one god wouldn't be viewed as offensive to a different god. Despite the essence of worship, the most important focus is the supreme Being (God), who's the inventor of the universe. Religion was not a distinct sphere. You might also examine 1 religion more closely (like Buddhism, Confucianism, or Christianity) and examine the method by which the religion differs in numerous sections of the planet. Another difference could be the creatures. Thus, this provides people with a modern idea of God. If the 1 god was not cooperating, another part of the very same or another god might get the job done much better. An individual would believe that there's a god for each element on earth. Lies You've Been Told About Good Essay Topics on Ancient Greek Religion Using one of our topics will allow you to compose a superior paper. After discovering our website, you will no longer will need to bother friends and family with these kinds of requests. Here again, you'll have to do plenty of research, maybe in the library or on the net or both, to receive all the info that you are searching for. Start looking for the worldwide history essay topics in the news or on the internet. Mythology gave meaning to daily conditions, along with Christianity. Furthermore, the value of Greek myths isn't restricted to just their cultural elements. It's through ancient Greek myths that we're ready to d efine ourselves as good or bad. The Greek myths are not just interesting to read, they're also educational in their context. The Key to Successful Good Essay Topics on Ancient Greek Religion Alternately, a fast look at the topics listed below may offer you the inspiration you want to think of your own title. If you would rather compose your paper all on your own, but don't understand how to begin, read through the guides and samples on our blog. However, in the event you encounter difficulties and you truly feel as if you take a sample paper, don't be afraid to ask for our help! They were a very delighted couple and chose to get married. It will produce the history essay writing process faster and easier, and you won't need to devote a whole lot of time doing research. The writer can pick from quite a few referencing styles to use e.g.. For that reason, it is sometimes an excellent idea to attempt to choose a topic that you feel you will delight in researching about, together with writing about. So, for people who are curious about what a research question to select for a history essay on mythology, make certain to get familiar with the next recommendations that shed light on this situation. The Most Popular Good Essay Topics on Ancient Greek Religion There are several reasons as to why you might need to write in ancient history essay. Reading through our lists is the quickest approach to produce a fantastic idea for your essay. At exactly the same time, it's an excellent persuasive essay idea. Deciding on the proper essay topic can occasionally be rather tough. Thus, writing a history paper will definitely be fun, if you only choose a really intriguing history essay topic. We've gathered the most fascinating suggestions to compose a paper on Antigone. Students lead busy lives and frequently forget about an approaching deadline.

3 Rules of Architecture and How to Win the Big Prize

On the back of the Pritzker medallion are three words: Firmness, Commodity, and Delight. These rules of architecture define the prestigious Pritzker Architecture Prize, considered the highest honor that a living architect can attain. According to the Hyatt Foundation which administers the Prize, these three rules recall the principles set down by the ancient Roman architect Marcus Vitruvius Pollio: firmitas, utilitas, venustas. Vitruvius described the need for architecture to be well-built, useful by serving a purpose, and beautiful to look at. These are the same three principles that Pritzker juries apply to todays architects. Did You Know? The Pritzker, or Pritzker Architecture Prize, is an international award given each year to a living architect who, in the opinion of a select jury, has made profound achievements in the world of architecture. Laureates of the Pritzker Architecture Prize receive $100,000, a certificate, and a bronze medallion. The Pritzker Prize was established in 1979 by Jay A. Pritzker (1922-1999) and his wife Cindy Pritzker. The Pritzkers made a fortune by founding the Hyatt hotel chain. The Prize is funded through the familys Hyatt Foundation. Vitruvius famous multi-volume De Architectura, written around 10 B.C. explores the role of geometry in architecture and outlines the need to build all kinds of structures for all classes of people. Vitruvius rules are sometimes translated this way:   All these must be built with due reference to durability, convenience, and beauty. Durability will be assured when foundations are carried down to the solid ground and materials wisely and liberally selected; convenience, when the arrangement of the apartments is faultless and presents no hindrance to use, and when each class of building is assigned to its suitable and appropriate exposure; and beauty, when the appearance of the work is pleasing and in good taste, and when its members are in due proportion according to correct principles of symmetry. — De Architectura, Book I, Chapter III, Paragraph 2 Firmness, Commodity, and Delight Who would have guessed that in 2014 the most prestigious award in architecture would go to an architect who was not a celebrity—Shigeru Ban. The same thing happened in 2016 when Chilean architect Alejandro Aravena received the architecture prize. Could the Pritzker jury be telling us something about the three rules of architecture? Like the 2013 Pritzker Laureate, Toyo Ito, Ban has been an architect of healing, designing sustainable housing for Japans earthquake and tsunami victims. Ban also has circled the globe providing relief after natural disasters in Rwanda, Turkey, India, China, Italy, Haiti, and New Zealand. Aravena does the same in South America. The 2014 Pritzker Jury said of Ban that His sense of responsibility and positive action to create architecture of quality to serve societys needs, combined with his original approach to these humanitarian challenges, make this years winner an exemplary professional. Before Ban, Aravena, and Ito came the first Chinese recipient, Wang Shu, in 2012. At a time when Chinas cities were choking in over-urbanization, Shu continued to defy his countrys quick-build attitude of over-industrialization. Instead, Shu insisted that his countrys future could become modernized while tethered to its traditions. Using recycled materials, said the 2012 Pritzker Citation, he is able to send several messages on the careful use of resources and respect for tradition and context as well as give a frank appraisal of technology and the quality of construction today, particularly in China. By awarding architectures highest honor to these three men, what is the Pritzker jury trying to tell the world? How to Win a Pritzker Prize In choosing Ban, Ito, Aravena, and Shu, the Pritzker juries are reasserting old values for a new generation. The Tokyo-born Ban was only 56 years old when he won. Wang Shu and Alejandro Aravena were only 48. Certainly not household names, these architects have undertaken a variety of projects both commercial and noncommercial. Shu has been a scholar and teacher of historic preservation and renovation. Bans humanitarian projects include his ingenious use of common, recyclable materials, like cardboard paper tubes for columns, to quickly construct dignified shelters for victims of disasters. After the 2008 Wenchuan Earthquake, Ban helped bring order to a devastated community by building the Hualin Elementary School from cardboard tubes. On a larger scale, Bans 2012 design for a cardboard cathedral gave a New Zealand community a beautiful temporary structure expected to last 50 years while the community rebuilds its cathedral, decimated by the 2011 Christchurch earthquake. Ban sees the beauty of carboard concrete tube forms; he also started the trend for reusing shipping containers as residential properties. Being named a Pritzker Architecture Prize Laureate establishes these men in history as some of the most influential architects of modern times. Like many middle-aged architects, their careers are just beginning. Architecture is not a get rich quick pursuit, and for many the riches never materialize. The Pritzker Architecture Prize seems to be recognizing the architect who isnt seeking celebrity, but who follows ancient tradition — the architects duty, as defined by Vitruvius — to create architecture of quality to serve societys needs. Thats how to win a Pritzker Prize in the 21st century. Sources Commodity and Delight by Andrew Ryan Gleeson, The Lying Truth (blog), July 8, 2010, https://thelyingtruthofarchitecture.wordpress.com/2010/07/08/commodity-and-delight/Jury Citation, Shigeru Ban, 2014, The Hyatt Foundation, http://www.pritzkerprize.com/2014/jury-citation [accessed August 2, 2014]Jury Citation, Wang Shu, 2012, The Hyatt Foundation, http://www.pritzkerprize.com/2012/jury-citation[accessed August 2, 2014]Ceremony and Medal, The Hyatt Foundation at http://www.pritzkerprize.com/about/ceremony [accessed August 2, 2014]The Ten Books on Architecture by Marcus Vitruvius Pollio, translated by Morris Hicky Morgan, Harvard University Press, 1914, http://www.gutenberg.org/files/20239/20239-h/29239-h.htm [accessed August 2, 2014]FAQ, Hyatt Foundation,  https://www.pritzkerprize.com/FAQ  [accessed February 15, 2018]Pritzker medalion image courtesy of the Hyatt Foundation

The Harlem Renaissance By Langston Hughes - 1703 Words

â€Å"I swear to the Lord I still can t see Why Democracy means Everybody but me..† This is a quote from a well-known poet by the name of Langston Hughes who served as a prominent figure in African American history and is known for maintaining a significant role in one of the most culturally influential periods for African Americans -The Harlem Renaissance. The Harlem Renaissance describes a significant era in time where hundreds or artists, writers and musicians living in Harlem came together to form a vibrant, creative community. Hughes along with many other talented and innovative African American creators and politicians such as Marcus Garvey, Zora Neal Hurston and Jean Toomer used their voices, words, instruments and paint brushes from†¦show more content†¦Consequently, I found that there is reasoning behind his name not being prominent when discussing black history, culture and identity. That is due to his belief that African Americans were in no way set apart f rom white americans and had no culture or identity of their own which alienated him from the black community. Even though George Schuyler was African American he was opposed to African American ordeals and often critiqued other African Americans in their efforts to fight injustice and inequality. Being that he was a prolific writer, many would think he would use his skills to bring light to the many issues facing African Americans during this era. However, Schuyler did not use his skills and influence like many African Americans to shed light on the issues of segregation but instead to disintegrate other African Americans’ attempts at doing so. In this day in age, Schyler would be deemed an â€Å"Uncle Tom† or a black person who is eager to win the approval of white people and willing to cooperate with them, due to his decision to demoralise his own race while refusing to acknowledge the issues they faced. Within his article â€Å" The Negro-Art Hokum† Schyler makes several statements which automatically earned the article my opposing opinion. The first statement that caught my attention described his belief that â€Å"it is sheer nonsense to talkShow MoreRelatedThe Harlem Renaissance By Langston Hughes1033 Words   |  5 Pagescalled the Harlem Renaissance. After World War I, many blacks migrated from the south to up to the north to places like Chicago, Detroit and New York. The people in Harlem felt the racial pride and this caught the attention of many musicians, writers, and artist. The Harlem Renaissance period lasted from 1920 to around 1935. Even though this period was short, it still lives on though all African American artists today. According to Biography.com in the article about Langston Hughes, there wereRead MoreThe Harlem Renaissance with Langston Hughes1676 Words   |  7 PagesHarlem Renaissance with Langston Hughes The Harlem Renaissance brought about uniqueness amongst African Americans; everything was new. The visual art, the jazz music, fashion and literature took a cultural spin. During this time writer Langston Hughes seemed to outshine the rest with amazing works. The Harlem Renaissance brought about many great changes. It was a time for expressing the African American culture. It is variously known as the Harlem Renaissance, the Black Literary RenaissanceRead MoreLangston Hughes And The Harlem Renaissance1219 Words   |  5 PagesLangston Hughes and the Harlem Renaissance The Harlem renaissance is an artistic revolutionary period that took place between 1917 and 1937. This was after the First World War. Harlem was a district in New York. The Harlem renaissance impacted the social, cultural as well as artistic aspects of the black community. Many black people were encouraged to flee the southern sides where the caste system continued to oppress the black people. At this period, racial inequalities as well as other social injusticesRead MoreThe Harlem Renaissance By Langston Hughes Essay1225 Words   |  5 Pages† - Langston Hughes The Harlem Renaissance took place in Harlem, New York during the 1920’s. The movement was an expression of African American culture across the Midwestern and Northeastern states of America, with Harlem being the heart of it. The Harlem Renaissance also left a lasting impression on black writers from the Caribbean and other African Colonies who immigrated to Paris. There were many artists of many different mediums that left a lasting impact of black culture, and Langston HughesRead MoreLangston Hughes And The Harlem Renaissance1909 Words   |  8 PagesThe Harlem Renaissance was a social and cultural movement aimed to alter the conventional notion of â€Å"The Negro† and to expound on African American’s adversities through literature, music, and visual arts. After World War I, Harlem, New York became a central location for African Americans for greener pastures and racial equality. Large quantities of black writers, artists, and intellectuals emerged within the urban scene and played a pivotal role of defining the movement in their respective fieldsRead MoreLangston Hughes And The Harlem Renaissance1736 Words   |  7 PagesAug 2017 The Dream Called Langston As an artist, or literature, music or visual art, there is power in creating pieces that move the masses. For an African American artist in the 1920’s, that power was fought for harder and dimmed due the racial inequalities across America. Being acknowledged as a credible artist was equated to being acknowledged as an American during a time where African American citizens were not considered an equal under the law. The Harlem Renaissance, spanning from the mid 1920’sRead MoreLangston Hughes And The Harlem Renaissance1476 Words   |  6 Pages Langston Hughes, a Voice for the Taciturn Take a time machine back to one of the most culturally-rich times in history, the Modern Age. More specifically, set your destination to northern Manhattan in the early 20s. When you step onto those bustling streets, you’ll find yourself swept up in the Harlem Renaissance. The contemporary writers you are surrounded by are legends such as Langston Hughes and W. E. B. DuBois, and the contemporary musicians you may hear at a local nightclub include some ofRead MoreThe Harlem Renaissance : Langston Hughes1145 Words   |  5 Pagesplace called Harlem and this is where it all started. Harlem became the training ground for blues and jazz and gave birth to a young generation of Negro Artist, who referred to themselves as the New Negro. The New Negro was the base for an epoch called the Harlem Renaissance. The Harlem Renaissance allowed for the materialization of the double consciousness of the Negro race as demonstrated by artists such as Langston Hughes. During the peak of the Ha rlem Renaissance, Langston Hughes created poetryRead MoreLangston Hughes : The Harlem Renaissance1151 Words   |  5 Pagesmass movement of people is called the Great Migration. One of the most popular places African Americans moved to was Harlem, New York. This city was a cultural and artistic polestar for people of color. It became known for the start of the African American cultural and artistic revolution known as the â€Å"Harlem Renaissance†. Out of the Renaissance came poet Langston Hughes. Hughes’ grandparents were abolitionists and worked to instill the same sense of justice into him, which can be seen in his writingsRead MoreAspects Of Langston Hughes And The Harlem Renaissance755 Words   |  4 Pagesdiscrimination, the Harlem Renaissance was a time of emergence for African Americans artists. Several writers such as Langston Hughes emerged during this period. African American writers who emerged during the Harlem Renaissance were heroes to lower-class blacks living in Harlem. Langston Hughes was a household name amongst the lower-class during the Harlem Renaissance. Hughes’s poetry was strongly influenced by the Harlem Renaissance because of his love for the black masses. Hughes was determined to

History of Heavy Metal free essay sample

Certain genres have some quiet and mellow parts, but most metal is loud, intense, sat and aggressive. The vocal styles in heavy metal range from melodic singing to aggressive singing to unintelligible screaming, depending on the genre. Genres At the beginning there was just traditional heavy metal. Shortly after it evolved and splintered into many different styles and submerges. This site has a series of articles on many of the genres that will give you a more in-depth look at that particular type of metal.As time has gone on, there are literally hundreds of submerges, but these are some of the main genres of heavy metal: Avian Garden Metal Also called experimental metal, its characterized by unusual and nontraditional instruments and song structures. Examples: Arcatas, Dog Fashion Disco, Mr.. Bungle, Peacetime, Pinsetters Black Metal Characterized by high-pitched raspy vocals and pagan/satanic lyrical imagery. Symphonic black metal is a submerge that uses keyboards and is more melodic. Nihilism is a frightening belief system for those in societies organized by dualistic (heaven versus earth) and liberal (individualistic, egalitarian) societies, as it denies that our values systems are more real than events In natural reality. To a nihilist, truth is a way we describe some things in reality, but there is no eternal life nor eternal truth which exists separate from immortality.Nihilism means accepting mortality, and experience as what we have in place of a religious or moral truth. These ideas exceed limits of social acceptability, which in a capitalist liberal democracy threatens the self-marketing which individuals use to gain business partners, social groups and mates. As a result, metal was forced to wholly transcend the artificial consensual reality shared by Culture and Counterculture, and to create its own value system including its nihilism.Seeking the real, and not the moral, this value system in turn surpassed its own nihilism by moving from a negative logi cal viewpoint to an assertive one, looking not for something objectively determined to be eternal but for that which will be true in any age past or present, discovering through personal experience and acceptance of nihilism (a symbolic analogue for mortality) that which society will not recognize, completing the process of adolescence in a state of actual outsiders.Introduction nuclear missiles threaten the daily existence of most life on our planet Metal USIA began as the work of the youth born after the superpower age began, during a highly developmental period for Western civilization in which it, having defeated fascism and nationalism and other old-world evolution- based systems of government, considered itself highly evolved in a humanistic State of liberal democracy which benefited the individual more than any system previously on record. During this era, society served citizens in their quest for the most convenient lifestyle possible, and any questions or goals outside of this worldview were not considered: it was considered a progressive continuation of human development from a primitive evolutionary red in tooth and claw state to one in which social concepts of justice and morality defined the life of the individual. The individual has triumphed over the natural world, and faces none of the uncertainty of mortal existence brought about by physical competition and predation.Politically (the global quest for egalitarian society) and socially (the empowerment of new groups and loss of consensus) humanity viewed itself as getting ahead and being superior to other forms of civilization, including he equally egalitarian but totalitarian Communist empires of the Soviet union and China, but as the thermonuclear age dawned in the sass, this dichotomy came to define the free West as much as its enemies.IOW Jim dawned a new age of moral supremacy in the postwar superpower Status first generation after WI created early proto-metal in a time when all older knowledge and social order was being overturned in the wake of an impulse to redesign the world to avoid the evils of the previous generation. The people of this age, and coming ages, were new in that they could not call a time of direct experience of nature as necessary; the grocery stores, modern medicine and industrial economies of their time took care of all of their needs, and no unbroken natural world could any longer be found except on specialty tours.Their civilization had become exclusively introspective and was losing contact with the (natural) world beyond its self-defined boundaries. During this time, a peace movement which embraced pacifism and egalitarian individualism was gaining popularity at the forefront of the counterculture, a phenomenon which had existed since in the 1 sass smart arresters (namely Allen Freed) had promoted rock mus ic as an alternative to the staid, traditional, monogamous and sober lives of Protestant, Anglo-Saxon Americans. With WI popularizing the world against first German and later Russian enemies, and Viet Name revealing the moral bankruptcy of benevolent superpowers motivated by their economies, society was becoming more dependent upon the ideological tradition building over the last 2,000 years: focus on the individual, or individualism, as politically expressed in egalitarianism and liberal democracy. This was expressed in both culture and counterculture.In contrast, metal music emphasized morbidity and glorified ancient civilizations as well as heroic struggles, merging the gothic attitudes of art rock with the broad scope of progressive rock, but most of all, its sound emphasized heavy: a literal reality that cut through all of our words and symbols and grand theories, to remind us that we are mortal and not ultimately able to control our lifespan or the inherent abilities we have.This clashed drastically with both the pacifist hippie movement and the religious and industrial sentiments of the broader society surrounding it. Philosophy This was a confrontation with the abyss as first described by existentialist F. W Nietzsche: the awareness that life is finite and of functional, transactional maintenance; that we are both predator and prey, and that we have no control over our lives or death.To Nietzsche, and thinkers such as Arthur Schopenhauer before him, to realize this was an undergoing, or embracing of nihilism: the belief that there is no value other than the inherent, physical interaction of the natural world. To a nihilist, there is no inherent morality or value, thus there is no reason to view social status and financial success as ultimate goals, only as methods to a path ranked by subjectively-derived importance.This view threatens the beliefs and punishments used to hold Western society together since roughly AD 1000. Regardless of benevolent social objectives, Nietzsche argued, religion and society were cults that banished death through the revenge that morality offered in giving the individual a vector by which to be better than the world itself, and by being equal to all others, immune to comparison (a symbolic form of predation triggered by Charles Darnings arguments on survival of the fittest).In essence, Nietzsche saw social behavior itself as an enemy of reality recognition in the individual and thus, like morality, an ingrained influence that would prompt rebellion and instability within a society that would know no other recourse than moral morning. Heavy metal, as the music most visibly fascinated with death and suffering (and most likely to mention Nietzsche), addresses the sublimated issue of Nietzsche abyss in Western society, which has based its founding principles and individual social and mystical values upon the polarity of good and evil, is an identification with the enemy.In the Jude-Christian view, death and suffering are an enemy which is banished with good behavior in the hopes of heavenly (and earthly) reward. In secular form, egalitarian capitalist liberal democracy empowers the individual and gives him or her the moral freedom to act without regard for the natural world, thus being immune to predation and any form of assessment outside of the social and fiscal. When one embraces the breadth of history (outside of the current civilization), the nihilistic lack of eternal presence of value, the predominance of death and rotation, and the logic of feral impulse, one has directly challenged both modern capitalist liberal democracy and the extensive religious (Jude- Christian) and secular (liberalism) heritage upon which it is built. ,000 years before Christ there was a religion in Northern India which addressed these issues in a sense without dualism; it believed that life is known to humans through sensual (eyes, ears, taste, smell, touch) perception of a reality composed of ideas which was similar in structure to both nature and the process of thought itself. In this religion the Faustian spirit was clearly resent, as while a heroic deed was more important than survival, personal mortality was clearly affirmed.Thus there was both meaning and death, and no absolute God or Heaven to reconcile the two. This required the individual to declare val ues worthy of filling a life, and worth dying for, and from this origin the ancient heroic civilizations were spawned. Metals belief system is closer to this than to any modern equivalent, thus it is sensible to posit a closure of the cycle and its renewal in the ideas gestured by heavy metal music. Music Art does not exist in a vacuum within the minds of its creators. If a concept is applied to music, there is a corresponding concept in structure and the worldview of the artist that creates the frame of mind in which the artist creates music which sounds like its desired value system. Art is too complex to be created without any prior thought as to what it expresses; this concept is common in literature and visual art, but ignored in popular music (perhaps because in most popular music, the concept and the music reflect crass materialism and futile neurosis and not much else).At the end of an age of moral symbolism and technological morning, metal is creating the language of music to reflect heroic values, formulated from the nihilistic mandate of now that you believe in nothing, find something worth believing in. The ease of social and political identification found in rock music is eschewed, as are aesthetics which endorse the myopic neurosis of first world lifestyles. And while metal has evolved over several generations, several musical face ts remain the same, suggesting a corresponding shared conceptual underpinning.This design form of metal differs from popular music in one simple way, but from this arise any number of technique uses and attributes which allow imposers to create in this method. Its primary distinguishing characteristic is that metal embraces structure more than any other form of popular music; while rock is notorious for its verse-chorus-verse Structure and jazz emphasizes a looser version of the same allowing unfetter improvisation, metal emphasizes a mitotic, melodic narrative structure in the same way that classical and baroque music do. Each piece may utilize other techniques, but what holds it together is a melodic progression between ideas that do not fit into simple verse-chorus descriptors. Even in 1 9605 proto-heavy metal, use of datives not repeated as part of the verse-chorus cycle and transitional riffing suggested a poetic form of music in which song structure was derived from what needed to be communicated.Synthesis Arthur Schopenhauer, one of the few humans with any cognitive ability this structuralism, metal music asserts a concern for the underlying mechanism of the universe as a whole, instead of limiting its focus to human social concerns. This degrades the public image fascination begun in the West with absolutist morality; in its use of power chords, the most harmonically flexible word shape, and a tendency toward melodic composition, metal music emphasizes an experience, where rock can articulate at best a moment and then put it into a repeating loop.While rock uses more open chords and aesthetic v ariation, its outlook is ultimately a topic form of the counterculture: progressive trends leading to some ultimate state of an absolute, such as freedom or joy or popularity. By way of contrast, metal music is a portrait of the post-humanist mindset: concerned more about natural reality than social symbolism, addressing experience instead of moral conclusion, and, when it seeks a context of meaning, oriented toward the subjective experience than an objectivity derived from shared societal concept.It is aware that leaving behind the comforting alternate reality of social assessment returns to a natural state in which the individual is ranked among others according to ability, much as predation did years ago, and is forced to accept mortality and limits of personal control. This thought demonstrates the modern era of Western civilization facing the ideas of the ancients while eschewing the consensual social reality of industrial capitalist liberal democracies, and, as said societies elapse from lack of consensus, a potential future direction for Indo- European culture.Period 1 [ 1865 1949] History [ Populism ] In this age, America matured from its beginnings into the bureaucratic complexities of a modern republic, decided on its unifying concept, and consequently, experienced demographic and social change. Having been formed in 1789 on a compromise between those who wished to remain colonies and those who wished for a centralized federal entity, the fledgling nation had resolved few of its internal disputes in part owing to the has of its birth and the ongoing warfare that afflicted it as late as 1 812.Having dispatched this, it began attempting to find consensus among the disparate viewpoints that had not found home in a Europe wracked by internal re ligious infighting descended from the conflicts of the middle ages. As the nation-state of America expanded, especially toward the West, there was an increasing need for governmental intervention to resolve disputes (seen by the republic as transactional) between settlers and Indians, settlers and each other, Westward republics and the banks that owned them back east.This required a commitment to a bureaucratic entity, which in turn required central authorities and standards. The result was, after some internal peregrinations, a Civil War not fought over the issue of slavery (as asserted in middle school textbooks) but the issue of states rights: was the United States a confederacy of small independent nations, or a republic made of states which were essentially local variants on the order imposed by a strong central government?The latter prevailed due to the industrial supremacy of the northeast; this would be a central theme in most American wars. Once this concept had been decided, it was over the next forty years unified by an expansion of the founding concepts of the nation in accordance with the decisions of the Civil War. The highest power was the Federal State, but the Individual was its currency, and therefore America came to embrace its image as the melting pot in which the poor, huddled masses might find refuge.As a result fifths new marketing, America invited and enfranchised new groups of people, starting with recently-freed African slaves and continuing to an acceptance of previously unwanted immigrant groups, such s Irish/Scots, Italians, Jews and Slavs. Because of this change, a shift in alignment occurred that would plague America in the coming years: the original Northern European population of America, now seen as the top dog in a complicated caste system, began to isolate itself through financial and social means from successive waves of newcomers of fundamentally different cultural, ethnic and religious bac kgrounds.This was contrasted by an egalitarian movement to accept these people and diverse, or non-collectively-consensual ideas into the mainstream; as time passed, this movement became known as the undercurrent, but that could only occur after World War II, when the country was united in temporary consensus by a shared enemy. As a result of these social changes, American ideology underwent public change.Where it had once been an elitist nation designed for those who could rise above the need for a normative social order, it became an inclusive and facilitative society whose greatest degree of commonality was a desire by its new and old populations to rise in class rank through the earning power afforded by a vast industrial civilization. Over time, this view, in which society endeared to the diverse and non-consensual individuals for the purpose of empowering them to be socially equal, earn money and become autonomous agents of wealth, became known In a generalized sense as Populism. Music [Rock J One cannot contemplate rock music without viewing its roots; that being said, its roots cannot be viewed without analyzing their origins in turn, and the political circumstance which shaped their public image.Derived from English drinking songs, Celtic folk music, German popular music including waltzes and the proto-gospel singing of Scottish immigrants, county folk music had been an aspect of American culture since the early days Of the Republic, but as it existed in country and not city was rarely recognized by cultural authorities of the day. Further, once new populations became empowered and replaced the old, most of this history was forgotten.In part, the reason for this was political: the members of society who advan ced American popular music as an artwork were not of the original Northern European population, nor were they disposed toward thinking benevolently toward the same; further, they needed to invent something which, like advertising throughout the sass, presented itself as an oppositional alternative to the traditional, boring way of doing things (early advertising extolled the virtues of its products, while later advertising promoted products as part of a lifestyle which had to demonstrate both novelty and uniqueness to have value as a replacement for the traditional, boring, and otherwise effective way of doing things; this transcendence of function for image has fundamentally shaped American character).As a result, the myths of blues as a solely African-American artwork, and the menial of the Celtic, English and American folk influences on both blues and rock music, was perpetrated as a marketing campaign with highly destructive results for all involved. The blues was not formalized until it was recorded, and at that point in time, a fixed structure was imposed on it based on the interpretations of others. Broadly stated, it used a minor pentatonic scale with a flatted fifth, constant syncopation, and distinctive emotional vocal styles. Of all of its components, none were unique, nor was its I-IV-V chord progression unique to the blues. To view it from an ethnological perspective, the blues is an aesthetic (not causal) variation on the English, Scottish, Irish and German folk music which made up the American colloquial sonic art perspective since its inception.From a marketing perspective, however, the blues had to be marketed as a revelation from the downtrodden and suffering African-American slaves, so that it might maintain an outsider perspective which, to people bored with a society based on money and lacking heroic values, might appear more authentic than their own. When country music was re-introduced to the then-standardized blues form, the result was called rock music. Its primary difference from country was in its SE of vocals which emphasized timbre over tonal accuracy, and the adoption of a more insistent, constant syncopated beat. While German waltz and popular music bands had invented the modern drum kit and developed most techniques for percussion, their music and that of their country counterparts in America tended to use drums sparsely, much more in the style of modern jazz bands than in the ranting, repetitive, dominant methods of rock music. However, it is hard to find someone in a crowd of mixed caste, race, class and intellect for whom a constant beat is intellectually and sensually inaccessible, o it was adopted as a convention. Much as the standardization of the blues took diverse song forms and brought them into a single style, rock swept a wide range of influences into a monochromatic form. Some historical backfill is worth noting here. The Celtic folksongs of Ireland and Scotland had two main influences: the pentatonic drone music of the Semitic natives of the UK, namely Scythian and the diverse groups forming Picks, and the Indo-European traditional music which is continued in India today.The melodies, including pentatonic variations of many different forms many of which include the flatted fifth or modal analogue), are almost contiguous such that a player of Indian classical music and a Celtic folklorist can complete each others melodies in the traditional manner. Similarly, pentatonic music also derived from th e Indo-European tradition was present in Germany, most notably in the barbiturates and public ceremonies requiring simple music that everyone could enjoy. These music employed improvisation, as did classical playing from the previous four hundred years; when these historical facts are recognized, American popular music can be identified as the marketing hoax that it is. The consequences of this hoax have been a persistent blaming of white Americans for stealing a black form of music that never existed, and in return, a condescension toward traditional forms of music of all races that became identified with, and scorned as, a black form of music. As we shall see, marketing has both shaped the American experience and contributed to longstanding internal conflicts without resolution. In terms of popular music, marketing is important precisely because it insists on standard forms; they are easy to reproduce without requiring any particularly unique talents on the art of performers, producers, marketers or audience. This has caused an increasing simplification of music while marketing has grown correspondingly more savvy and, like American advertising as a whole, has grown away from focus on the product to focus on lifestyle associations unrelated to the product.However it arrived, blues-country became rock in the sass-1 sass mainly because of technology . Adolph Racketeered invented the electric guitar in 1931, and recording equipment advanced from the primitive to the cheaper and more portable units brought on by vacuum tube and then transistor genealogy. Additionally, microphones improved, especially those which could capture the nuances of voice. Louder guitars and vocals required the simple shuffle beats of blues drumming to gain volume, prompting a revolution in drum kit assembly. As a result, the simple blues-country hybrid became a marketing standard known as rock n roll, then rock, as it was absorbed into the American mainstream.The earliest bands lacked much in the way Of style, but wrote complacently harmonize pieces based on the European popular music of clubs in the sass (much of jazz is based upon the same music). As time went on, the styling appearance, performance and cultural positioning of the music became more advanced, and the songs themselves became simpler and more like advertising jingles. Art [ Individualism ] If one thread had to be described in the art of the era as rising parallel to Populism in the political and social consciousness, it would be Individualism: the belief in the decisions and desires and needs of the individual as the most important value held by humans, especially in the context of lifestyle choices which involve the purchasing of products.Much of this relates to the sire of new American immigrants to both fit in and be accepted for what they were, as, lacking the cultural affectations of Northern Europeans, they demanded a tolerant society such that their own customs might not come into conflict with any dominant or consensus-oriented cultural standards. Thus non-consensus became consensus through the vehicle of absolute individual autonomy, and a depletion Of any standards for the goals Of individual behavior. When the religious impetus to America first developed, it was in the form of settlers escaping the imperial sentiments of a Europe united by Christianity; after one thousand years of wrangling in which the mostly Judaic-Buddhist doctrine of early Christianity had been replaced with the Euro-Brahmins doctrine of Catholicism, the continent had accepted the modified religion and begun the process of bringing disparate cultures and peoples under its yoke.